Monday, October 13, 2008

Went to see Vicky Cristina Barcelona


Went to see Vicky Cristina Barcelona (Woody Allen, 2008). Well, it's not a GREAT Woody Allen, but it's a good Woody Allen. Light tone and funny moments but terribly dark, basically. All about relationships and art. Love as art, art as love, life as art, art as life, you know. It would be worth it just to gaze at GORGEOUS Penélope Cruz and GORGEOUS Scarlett Johansson. And they kiss too (sorry, minor spoiler)! Javier Bardem has lost twenty pounds and is perfectly credible. Brit Rebecca Hall very convincing in New York girl part. So what if Allen filmed Barcelona like a series of postcards? Barcelona IS like that. And the city did put money in the film, so...

Paris Fashion Week Spring 2009 Highlights

I somehow missed the daily coverage of Paris Fashion Week Spring 2009. Thanks to Telegraph site, for listing all the possible trends for spring 2009.

• Wild west Gaucho "chaps" and jeans (Givenchy); cowboy fringes (Hermès); denim (Watanabe)



•Overalls, boyfriend-blazers, jumpsuits, scout-shorts, military jackets (Chloé, Balmain, Wunderkind, McCartney)



• Africa and the East Ethnic prints (Junya Watanabe, Tsumori Chisato, Bernhard Willhelm); tribal hair, fertility goddess-heels (Dior); kimonos and fisherman's trousers (Yves Saint Laurent); sarongs (Lagerfeld); global souvenirs (Westwood); bug prints (Alexander McQueen)






• Space hi-tech, cyber-warriors, Star Trek, futurism (Balenciaga, Hussein Chalayan, Gareth Pugh)




• Straight shoulders, pads, epaulettes, "wings", shoulder-guards, dramatic seaming, cutaways and one-sleeve shapes (Rue Du Mail, Comme, Stella McCartney)



• Metallics/mirrors, copper, silver, gold, (Dries Van Noten, Balenciaga, Sophia Kokosalaki, Christian Lacroix, McQueen)




• The new greens Fern, jade, olive, celadon (Galliano, Chloé)





Photo Source


Sunday, October 12, 2008

Sean Connery For Louis Vuitton Core Values Ad Campaigns



Sean Connery joined Andre Agassi and Steffi Graf, Keith Richards, Sofia and Francis Ford Coppola, Mikhail Gorbachev, and Catherine Deneuve in Louis Vuitton Core Values ad campaign. The ad was photographed by Annie Leibowitz and will be officially released this October.

Looking at the ad, one can truly say that indeed “there are journeys that turn into legends”!

Source

There's a way out of this game. Kill yourselves together, here, now. If you can't do that, then don't trust anyone... just run.

No 235 - Battle Royale
Director - Kinji Fukasaku

I am really quite hungover from an epic night out at the marvellous Shunt Lounge, and have not had much sleep. I'm telling you this because I have a guilty confession to make, I fell asleep during Battle Royale. But I was ruddy hungover and had a massive Sunday lunch which was making me dead sleepy.
Luckily it was only a brief little snooze and I have seen BR sufficient times for me to be able to talk about it. So here goes...

I know that I have said before that I'm not a fan of the old hyper-violence and I am also aware of the intrinsically hypocritical nature of my quick to change attitude. So, whilst the nature of films like Ichi the Killer, Saw and Hostel freak me out, I bloody love BR and its glorious ridiculous violence.
This can be best described with one of my favourite characters in the film, Boy #6, Kizuo Kiriyama. He is an nut job, volunteering to be part of the BR scheme and relishing the torture, violence and mayhem which follows him. As the film progresses he becomes even more unhinged and ends up the most visually iconic character in the film (he is one of only two combatants that aren't in the beige-ish school uniform). Here he is looking like he could have been in Michael Jackson's Thriller.
In fact, it is the cold, relentless, somewhat insane killers which make this film the most enjoyable. After watching the gloriously depraved Kiriyama, the other character of note is Girl #13 Takako Chigusa. She immediately understands the way to play the game and uses the fact that nobody liked her at school as a reason to feel no guilt in cold heartedly murdering them all. Chiaki Kuriyama's performance is excellent, and was certainly deemed good enough by Quentin Tarantino who cast her as Gogo (a psychopathic killing machine with an arsenal of deadly weapons and wearing school uniform.... could we be slipping into typecasting?) in Kill Bill.

As well as the violence there is a strong streak of VERY black humour. The jaunty music that greets the competitors each morning jars with the events on screen in a grossly inappropriate way. The sheer concept of the film is so perverse, so ridiculous that it almost demands to be viewed in a comedic light. And most of the truly comedic moments come from the juxtaposition of how BR is presented, and what BR is.

Let us begin with the Battle Royale training video, which is there to teach the class how to play and kill efficiently whilst keeping themselves alive. The video is bright and jolly with an unfeasibly cute narrator in the form of Yûko Miyamura explaining what will be happening on the island. Whether she is explaining that the competitor's neckbands may explode and kill you or that the selection of weapons is a completely random lucky dip ranging from saucepans to grenade launchers, she speaks with a constant smile and the hyperactivity of a puppy on speed. It is impossible not to like her as she passes on the terrible terrible news. And that is quite funny.
The other comedic character to mention is the school's teacher - played by Takeshi Kitano and named, conveniently enough, Kitano Sensei. His character is really rather insane and quite possibly a paedophile as he sits watching his school kids kill each other in all shades of dead.
His best moment is when he is trying to explain the BR situation to his school children and gets increasingly pissed off as they talk over him, ending up throwing a dagger into the face of one of the school kid, ending with a sarcastic apology as he isn't meant to kill any of them.

The film is shot in in a very grey and brown palette which only helps to bring out the crimson lashings of blood even more so.
There are several 'Japanese' bonkers moments - the whole incident with the painting at the end is never really explained and it also gives some interesting insights into how Japanese school kids function (in Japan - having a crush on someone or telling someone their cute has a lot more weighting than it does in the Western world).

All in all this film is a glorious riot of blood and ridiculous violence which spawned a god awful sequel (allegedly - I've never seen it) and some really awesome T-Shirts.
I even watched this with my mum once and she enjoyed it. I mean she thought it was disgusting and spent most of the film hiding her eyes. But she wanted to know who won. And that is a key part in the success of a film.

Anticipating Woody


In a couple of hours, I'll finally go see Vicky Cristina Barcelona (Woody Allen, 2008).

I realize, looking at Allen's filmography, I have seen everyone of his films, except

Another Woman, Love and Death and Sleeper (must try to get the dvds). I don't count What's Up Tiger Lily?.

There's a Woody Allen film every year. So we eagerly wait for it. Sometimes we're disappointed (Melinda and Melinda), sometimes delighted (Annie Hall, Manhattan, Deconstructing Harry, Match Point)


Glorious list:
Vicky Cristina Barcelona (2008) Cassandra's Dream (2007) Scoop (2006) Match Point (2005) Melinda and Melinda (2004) Anything Else (2003) Hollywood Ending (2002) The Curse of the Jade Scorpion (2001) Small Time Crooks (2000) Sweet and Lowdown (1999) Celebrity (1998) Deconstructing Harry (1997) Everyone Says I Love You (1996) Mighty Aphrodite (1995) Bullets Over Broadway (1994) Manhattan Murder Mystery (1993) Husbands and Wives (1992) Shadows and Fog (1992) Alice (1990) Crimes and Misdemeanors (1989) New York Stories (1989) (segment "Oedipus Wrecks") Another Woman (1988) September (1987) Radio Days (1987) Hannah and Her Sisters (1986) The Purple Rose of Cairo (1985) Broadway Danny Rose (1984) Zelig (1983) A Midsummer Night's Sex Comedy (1982) Stardust Memories (1980) Manhattan (1979) Interiors (1978) Annie Hall (1977) Love and Death (1975) Sleeper (1973) Everything You Always Wanted to Know About Sex But Were Afraid to Ask (1972) Bananas (1971) Take the Money and Run (1969).

Desperate Housewives is IT




It's very nice to see The O.C.'s Chris Carmack in Desperate Housewives. (04x11) It remains the best show of all.

Watched TV: Saw Love and Other Disasters (Alek Keshishian, 2006).






Watched TV: Saw Love and Other Disasters (Alek Keshishian, 2006). I saw it on the big screen back then, but it gets better on second viewing. Quite a gem, really, in its own very special way. Keshishian, famously, is the director of the absolutely indispensable Truth or Dare (In Bed With Madonna, 1991). Love and Other Disasters (nothing to do with the interesting Aussie pic Love and Other Catastrophes) is a romantic comedy that constantly pokes fun at itself and at the genre. I'm tempted to call it postmodernist, rather than postmodern, inasmuch as the metacinematic bits are so pointed and deliberate and pervasive. Lots of allusions to all sorts of pop culture monuments, from Whitney Houston to Karl Lagerfeld; permanent rewrite of Audrey Hepburn and Breakfast at Tiffany's (the critics who thought it was excessive missed the point, it was meant to be over-the-top); tremendous critical insights and jokes (like the line about only the French liking "truth" at the cinema!).
*Great fart / love theory (no spoiler here).
*Funny cameos by Dawn French, Gwyneth Paltrow and Orlando Bloom.
*Great Welsh actor Matthew Rhys playing a loveable gay guy (he does a loveable Californian gay guy in the good TV series Brothers and Sisters).
*Charming Venezuelan / Chilean actor Santiago Cabrera (he's in the good TV series Heroes) playing an Argentinian photographer.
*Totally adorable Britanny Murphy in the lead, doing Audrey. Adorable throaty voice, tremendous fake eyelashes. Spendidly perched, half-naked, on her spike heels, she makes the movie flow forward. I can see why some people might see her as insufferable, I guess.